Their contract is up in September. They renegotiated with Spotify and Ultimately said fu.k them. Because they gave Bill Simmons 200 million and joe rogan 100 million. Their deal was WAY less. And during renegotiation they didn’t come close. They helped make Spotify what it is with podcast.
Budden, called “the Howard Stern of hip-hop” by the New York Times, first launched his podcast in early 2015. He brought it exclusively to Spotify under a deal in August 2018 (while the show. (Bloomberg) - Spotify Technology SA is losing Joe Budden, one of its most popular podcast hosts, after failing to come to terms on a new deal. Spotify said it offered Budden a significant raise. The Joe Budden Podcast, a top music podcast and go-to listen for hip-hop and rap culture enthusiasts, has teamed up with Spotify to bring the wildly popular series exclusively to the streaming service beginning September 12. Since its inception, The Joe Budden Podcast has subsequently published over 175 weekly episodes; not only topping the podcast charts, but achieving a. https://newls510.weebly.com/blog/can-you-get-spotify-premium-for-free-hack.
A year later, fans were greeted with a flurry of activity, beginning in February, when his album Padded Room landed in stores. Featuring Budden with Crooked I, Joell Ortiz, and Royce da 5'9', the self-titled album from the hip-hop supergroup Slaughterhouse followed in August, and then he returned to his solo career in October with Escape Route. In 2010, his Mood Muzik mixtape series graduated from the underground when the eOne label released Mood Muzik, Vol. 4: A Turn for the Worst. He rejoined Slaughterhouse for their 2012 effort Welcome to Our House, and then returned to his solo career with 2013's No Love Lost, a reflective album with guests stars Lil Wayne, Wiz Khalifa, and Juicy J. The theme continued with the 2014 EP Some Love Lost, then became a trilogy with the release of All Love Lost, a 2015 album that featured Jadakiss, Marsha Ambrosius, and Emanny as guests. After feuds with Meek Mill and Drake, Budden released Rage & the Machine in 2016. The majority of the production work was handled by AraabMuzik. ~ Jason Birchmeier, Rovi
Joe Budden Free Spotify Playlist© Joe Budden
Joe Budden, one of Spotify’s biggest exclusive podcasters, is leaving the platform. He and his show will no longer be exclusive to Spotify after September 23rd, he says in his most recent episode while also seemingly suggesting it might not be available on Spotify at all.
“September 23rd, I cannot tell you where this podcast will be,” he says. “But as it stands, I can tell you where it will not be, and that is Spotify.”
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He takes the announcement as an opportunity to scorch Spotify and detail his history with the company, which, in the years since he signed his deal, has become a sizable competitor in the podcast field. He claims his show exceeded Spotify’s audience reach expectations by 900 percent to the point that his listeners crashed the platform.
Still, he says he never received a bonus, and the company wouldn’t allow him and his team to take vacation days on Christmas and New Year’s Eve, because that would have required them to miss two episodes. While the company wouldn’t pay them actual bonuses, it offered to give them Rolexes instead, only to say the watches they picked out were too expensive. Then, he suggested Spotify give money away to their fans for Christmas instead. The company declined.
Joe Budden Leaving Spotify
“That was the first time it dawned on me that Spotify is pillaging,” he says. “You pillage the audience from the podcast, and you’ve continued to pillage each step of the way without any regard for [the fans.]”
“Everybody’s not looking to feed the soil, some are just looking to take the fruit.”
He says compared to two years ago, when he signed to Spotify, podcasters can find better deals from multiple companies, and he suggests that Spotify’s only interested in finding new popular shows rather than feeding the podcasting “ecosystem.” Spotify app linux mint.
“Everybody’s not looking to feed the soil, some are just looking to take the fruit,” he says.
He claims to be the guinea pig for Spotify’s podcast ambitions because he was already established and brought audience to Spotify. He proved the model of exclusives could work for the company, he says.
“Spotify never cared about this podcast individually,” he says. “Spotify only cared about our contribution to the platform.” The company wanted him to read ads, and he refused, making it one of the only shows to not be monetized on the platform.
He says he and Spotify differ on where “podcasting is taking us for the next five years.”
“I am not going to succumb to any bad deal that is not working favorably toward the people who have created that path.”
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Broadly, he questions the entire podcasting system and what a podcast stream is worth, especially given that musicians and record labels have already established those terms with streaming platforms. That number, for podcasters, still isn’t standardized.
Budden isn’t the first Spotify-associated podcaster to speak up about the industry. The hosts of The Nod, which became a Spotify-owned show after the company acquired Gimlet Media, spoke out in June about their issues with show ownership. Brittany Luse and Eric Eddings say they built their show and audience but owned none of it.
“At the end of the day, investing in someone’s talent isn’t the same as having the talent yourself,” Luse told The Verge. “It’s very strange that [Spotify and Gimlet] are the only people who can claim ownership over [The Nod and its segments].”
Spotify has made headlines in the industry by signing big names, like Kim Kardashian West, Joe Rogan, and Michelle Obama, to exclusive shows. The terms of all those deals are unclear, but at least part of the strategy is for Spotify to sell ads against those shows, netting it additional revenue. (The company includes ads on podcasts, even if premium subscribers are listening.) It needs big shows to sell big ad deals.
Podcasting has clearly become a potentially massive money-maker, but some hosts want more ownership and payment. Budden doesn’t clarify if he’s entertaining other exclusive offers, and whether he thinks that’s the future of podcasting. He paved the way for the exclusive model and is seemingly abandoning it, at least for now.
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